欧美高清

Personal statement

Coupled with聽a聽deep interest in Spain and Catalonia,聽the idea of humour and visual culture as dissent has been at the heart of much of my research.聽To that end, my work engages a wide range of cultural outlets including Visual Print Media (comics, 鈥榸颈苍别蝉, graphic novels and editorial cartoons); literature; film; theatre; television and the press within the broader context of 20^th and 21^st century Spain and Latin America.

Before joining 欧美高清 in 2022 as Lecturer in Hispanic Studies, I spent six years at the University of Cambridge. First, as a Postdoctoral Research Associate of the AHRC-funded project, 鈥淢ultilingualism: Empowering Individuals, Transforming Societies鈥� and Research Associate of Queens鈥� College, and subsequently as Assistant Professor and Fellow in Spanish at Christ鈥檚 College and later at Robinson College. Before Cambridge, I held research and teaching positions at the Universities of Birmingham, Sheffield, UCL and Queen Mary University of London 鈥� where I was also Director of the Centre for Catalan Studies. Since 2020, I have been the General Editor of the Journal of Catalan Studies.

As a subject, humour has always fascinated me, since it's at once, universal and highly relatable, while also typically relying on very specialised frames of reference. Its power鈥�(perceived or otherwise)鈥痶o influence鈥痯opular opinion鈥痟as been at the core of鈥痗enturies of repressive legislation to control its production and consumption. Indeed, subversive humour often lies at the heart of countercultural challenges to the hegemonic order. As such, I have looked at humour as a social barometer, as well as a cultural intervention in its own right, to understand how it reflects and affects its contextual setting.

I have published and presented broadly on these themes, including my book, Catalan Cartoons: A cultural and political history, (2016, University of Wales Press) which received funding from the Ramon Llull Institute and has been reviewed in the Catalan media and in seven major journals. Some other recent collaborative projects include, the co-edited special issues, 鈥極ut of the Gutter: The Politics of Dissent in Spain鈥檚 Visual Print Media since 1975鈥� (Bulletin of Spanish Visual Studies) with Bryan Cameron; and 鈥�(Dis)articulating Identities: Multilingual Cultures in the Catalan Countries鈥� (Journal of Catalan Studies) with Brad Epps.

My current book-length project, 鈥淚n Visible Ink: Gender, Sexual Dissidence and Visual Print Media in Spain鈥檚 Transition (1968鈥�1992)鈥�, explores the significant cultural work performed by visual print media as part of the evolution of gender and sexual-identity politics during the period surrounding Spain鈥檚 so-called democratic transition. An important strand of this work is that it additionally platforms the undervalued and understudied contribution of women to the Spanish countercultural scene.

I welcome enquiries regarding PhD supervision in the following areas:

• 20^th and 21st Century Spain聽
• Catalan cultural and political history聽
• Visual Print Media and Ephemera: Comics; Cartoons; Graphic Novels; 鈥榋ines; Caricature聽
• Humour Studies聽
• Gender Studies
• Visual Cultural Studies聽

Current PhD student(s):

Raquel Mart铆nez Martin: 鈥淪panish Crisis Cinema: Stasis, Stillness and Immobility (2008-2018)鈥�